Journalism & Mass Communication Research Guide : International Journalism Collection

Powerful graphic journalism that highlights the contrasting realities of a Ukrainian journalist and a Russian artist grappling with their own individual experiences of Russia’s war on Ukraine—collected, edited, and illustrated by award-winning author Nora Krug. Immediately after Russia began its unprovoked invasion of Ukraine in February 2022, Nora Krug reached out to two anonymous subjects—“K.,” a Ukrainian journalist, and “D.,” a Russian artist—and began what would become a year of correspondence. Based on her weekly interviews with K. and D., Krug created this collection of illustrated accounts that chronicles two contrasting viewpoints from opposing sides of the first year in this ongoing war.

Journalist Maria Ressa has spent decades speaking truth to power, challenging corruption and malfeasance in her native country, the Philippines. But her work tracking disinformation networks seeded by the government, spreading lies to its own citizens laced with anger and hate, made her an enemy of her country’s most powerful man: President Duterte. From the recipient of the 2021 Nobel Peace Prize and founder of the Philippine journalism site Rappler comes this inspiring memoir. Ressa chronicles her career fighting fascism and those who helping to spread it, offering insights and advice for standing against authoritarian bullies and confronting disinformation and lies.

Latin American Adventures in Literary Journalism explores the central role of narrative journalism in the formation of national identities in Latin America, and the concomitant role the genre had in the consolidation of the idea of Latin America as a supra-national entity. This work discusses the impact that the form had in the creation of an original Latin American literature during six historical moments. Beginning in the 1840s and ending in the 1970s, Calvi connects the evolution of literary journalism with the consolidation of Latin America's literary sphere, the professional practice of journalism, the development of the modern mass media, and the establishment of nation-states in the region.  

Eminent journalist Pradeep Magazine’s memoir is a story of lived, real experiences, of joy, sorrow, fear, loss and hope, and about how an uprooted identity shapes one’s attitude towards society and the nation. From the Kashmir of the 1950s to terror-stricken Punjab, from the Mandir–Masjid divide and the impact of Mandal politics to the tragic consequences of the Kashmir situation―Magazine paints a fascinating portrait of modern India. At the core of the book are accounts of some of the most epochal events in India’s cricketing history, woven around personal encounters with several well-known cricketers. The author lays bare the vicious machinations that are a staple diet of sports governance and reveals hitherto unknown facts about the frictions and ego clashes that are inevitable in a game that dominates India’s sporting discourse.

This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate. The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda, fake news and a flattening of news to banality and gossip. Media companies, however, continue to shrink newsrooms, ousting experienced journalists in favour of 'content producers'. Against this backdrop, Daniels points out the contribution of investigative journalists to exposing corruption and sees new opportunities emerging to forge a model for the future of non-profit, public-funded journalism. Engaging and dynamic, the book argues for the power of public interest journalism, including investigative journalism, and a diversity of voices and positions to be reflected in the news. It addresses the gains and losses from decolonial and feminist perspectives and advocates for a radical shift in the way power is constituted by the media in the South African postcolony.

In Push the Button, Elizabeth Rodwell follows a battle over what interactivity will mean for Japanese television, as major media conglomerates took on independent media professionals developing interactive forms from new media. Rodwell argues that at the dawn of a potentially transformative moment in television history, content conservatism has triumphed over technological innovation. Despite the ambition and idealism of Japanese TV professionals and independent journalists, corporate media worked to squelch interactive broadcast projects such as smartphone-playable television and live-streamed and open press conferences before they caught on. Instead, interactive programming in the hands of major TV networks retained the structure and qualities of most other television and maintained conventional barriers between audiences and the actual space of broadcast. Despite their lack of success, the innovators behind these experiments nonetheless sought to expand the possibilities for mass media, national identity, and open journalism.

In the tradition of Katy Tur, Jane Pauley, and Peter Jennings, Chai Jing shows us the power of television news and the complex challenges of reporting in China. After becoming a radio DJ in college and a TV interviewer at 23, Chai Jing is thrust into the spotlight when she takes on a position as a news anchor at CCTV, China's official state news channel. Chai struggles to find her role in a male-dominated news organization, discovering corruption, courage, and hope within the people she meets while honing her talent for getting people to reveal themselves to her. In eleven propulsive and deeply felt chapters, Chai recounts her investigations into SARS quarantine wards, a childhood suicide epidemic, the human cost of industrial pollution, and organized crime, while looking back at her growth as a journalist. Chai Jing shares the philosophical and emotional complexity of the ethical challenges that are always present in such revealing reporting, while she also finds hope and purpose, time and again, in the vital and intimate stories of her interviewees. This candid memoir from one of China's best-known journalists provides a rare window into the issues which concern us most, and which face contemporary China and the whole world.